The MothThe Moth derives from one black and white picture that Jem Southam made in about 1983: a solitary man standing on Gwithian beach in St Ives, Cornwall. From this singular, meditative moment, the book of otherwise unpeopled, colour photographs unravels like a succession of memories, drifting back and forth through time. Over the course of 30 years, Southam intermittently returned to the west of Cornwall to explore a place steeped in marine and mining

The bodies of her subjects bear all-too physical traces of conflict and aggressive foreign policy: two Cambodian teenagers who have lost their legs to landmines while gathering wood near their homes

Each visit offered an insight to a country that is in the process of building its future while simultaneously reconstructing and reinterpreting its past

The images include self-portraits

She explores from the photographic and printed image

victims of Agent Orange

tenderness and hope

Tra albe e tramonti offers a brilliant account of Luigi Ghirri’s relationship with Puglia — a distinctive region at the heel of Italy

Gary Haller

a worm as stigmata in a child’s hand

and the land soften and blur

and frozen gestures all suggest a palpable tension

through complex assemblages of portraiture