Bajo el signo del arrepentimiento138 x 210 mm 152 pages (includes 17 illustrations) Design: Setanta Translation: Teresa Arijn Is regret a form of memory? A way of narrating ourselves? An act of imagination? Alejandro Cesarco has developed an unorthodox artistic practice drawing on repetition, narrative, reading, and translation. In this book, Bajo el signo del arrepentimiento, where he questions an art trajectory governed by the principle of production and aimed at success, he

Art historian Pierre Wat invites eight artists to cast an eye on this fundamental work of the 20th century

Bright Day series was selected in the 2012 Three Shadows Photography Award and attended the First Beijing Photo Biennial

and as an axis for congregating around what has not yet been modernized

but the project participants are taking notes in a dedicated notebook

and reason

together with their supporting facilities the military airport

Layout: Softcover

"This book was conceived and written by four hands between 15 November and 15 December 2021

Format: Hardback

Javier Codesal (Sabiñánigo

depicting a plant's struggle to take root in foreign soil

They vary from depicting something observed to subjects that lurk inside his imagination