MARTIN PARR: The Last ResortMore stock arrives in a few weeks introduced by Gerry Badger When Martin Parrs The Last Resort was first published and exhibited in 1986 it divided both critics and audiences alike. Some saw it as the finest achievement to date of colour photography in Britain whilst others viewed it as an aberration. With the benefit of hindsight there is little doubt that it transformed documentary photography in Britain and placed Parr amongst the worlds leading

but the offensive against the cartels has caused an eruption of violence that is not isolated to one region

Being a Sapeur is more than a way of dressing

The gruesome nature of the crimes is at once unbearable and on display for the entire country to see

He has won several major awards and has received international critical acclaim

to places where his relatives lived many years ago

Strömholm merged street photography and portraiture

heartbreaking in the way that the inexorable passage of time

Matthew Finn collaborated with his mother

many had lost their will to live with a growing number exhibiting self-harming behaviour

Her immersive VR films

The Lament is partly fiction and partly autobiographical

Parr has explored workplaces